wolfcrow online film school

The best online film school for serious filmmakers and cinematographers.

wolfcrow online film school

The best online film school for serious filmmakers and cinematographers.

Hi, I’m Sareesh Sudhakaran

I am a director and cinematographer with over 20 years of experience in filmmaking and cinematography.

In 2008, I made The Impossible Murder, my first feature film. In 2024, I made my second feature, Gin Ke Dus. It was released in theaters in India. I live in Mumbai, India.

I’m excited to see how I can help you in your amazing filmmaking journey!

Check out our latest videos and articles:

Nikon ZR Real-World Review: Is It Really Good Enough?

A comprehensive real world review of the Nikon ZR for filmmaking. Discover its essential strengths, weaknesses, and my unbiased final verdict.

A Look at the Best 5 Budget Gimbals

Tight budget, big story? These five budget gimbals keep mirrorless rigs steady for shorts and indie features, no fluff.

7 Reliable Clip-On Matte Boxes You Can Use Right Now

Clip-on or clamp-on matte boxes with 4×5.65 support – key specs, features, and lens fit notes so you can pick the right tool for your next shoot.

How to Schedule a Film: 20 Ways to Cut Time without Losing the Performance

Plan days that feel lighter, with coverage that saves hours, keeps your crew fresh, and still nails the important moments.

The First 10 Things you Need to Buy for Filmmaking

What could be so important you need to buy right now? This is my advice for filmmakers looking to make short films or feature films.

The Essential Guide to Rolling Shutter: What You Need to Know

Rolling shutter bends lines, wobbles shots, and breaks flashes. Learn how to test it, rate cameras, and know if it matters for your next project.

Why 2001: A Space Odyssey Shows What Cinema Can Be

Kubrick’s 2001: A Space Odyssey turned silence, design, and vision into pure cinema, possibly revealing our possible future.

Fuji GFX ETERNA 55: 3 Powerful Questions to Know if it’s the Right Camera for You

Medium format 4:3, internal ND, PL mount, and Fuji color. Here are 3 blunt questions to decide if the Fuji GFX ETERNA 55 fits your work and budget.

The Best Camera for Cinema: Canon C50 vs Nikon ZR vs Sony FX3A vs PYXIS 6K vs Red Komodo

Five great low budget cinema cameras designed specifically for filmmaking. Only one will stand tall… but which?

How to Choose One Secure Quick-Release System for Your Camera

See how to standardize plates across tripod, head, and gimbal, avoid wobble, and build one secure workflow for any shoot.

If you’re looking for a specific topic, use the search bar below: